Jane Eyre by Charlotte Brontë — Bibliomancer edition cover

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Fiction · 1847

Jane Eyre

An Autobiography

Charlotte Brontë

Reading time
about 13.5 h
Length
187,162 words · 414 pages in print
Structure
38 chapters · 3 front-matter sections
Language
English
Era
Victorian

An orphan raised without affection, schooled in hardship, and hired as governess at Thornfield Hall, Jane Eyre tells her own story — including what she found in the house, and what she found in herself. Published in 1847 under the name Currer Bell, Charlotte Brontë's first published novel was an immediate success and a scandal to some readers for the force of its heroine’s voice.

The book combines Gothic mystery, love story and moral argument in a first-person narrative of unusual directness. Its insistence that a plain, poor woman has the same right to feeling and judgement as anyone has kept it central to English fiction.

The preface Brontë wrote for the second edition and her note to the third are printed here before the novel and its thirty-eight chapters.

Introduction

Editorial matter by Bibliomancer — separate from the author’s text.

Jane Eyre was published in London on 16 October 1847 by Smith, Elder & Co., in three volumes, as “an Autobiography” edited by “Currer Bell”. The pseudonym concealed Charlotte Brontë, then thirty-one, a clergyman’s daughter from Haworth in Yorkshire who had worked as a governess and had, with her sisters Emily and Anne, published a volume of poems the year before that sold two copies. Smith, Elder had turned down her first novel, The Professor, but asked to see something else; she sent Jane Eyre, finished in August, and the firm published it within two months. It was an immediate success. A second edition in January 1848 carried a dedication to Thackeray that the author, not knowing Thackeray’s own wife was confined for insanity, came to regret; a third edition followed in April with a short note disclaiming the other “Bell” novels. The text followed here includes both the preface to the second edition and the note to the third.

What was new about the book in 1847 is still new. It is narrated in the first person by a plain, poor, clever woman who addresses the reader directly, who is angry and says so, and whose story runs from a childhood of institutional cruelty through employment, love, renunciation and an inheritance to an ending she chooses. The gothic apparatus — the laugh in the attic, the fire, the voice across the moor — is real enough to frighten and is also a machine for moral argument: about the marriage law, about the claims of conscience against passion, about how a woman without money is to live. According to her first biographer, Elizabeth Gaskell, Brontë had told her sisters she would show them a heroine as plain and as small as herself; the decision looks, in retrospect, like the founding of a genre.

Readers who know the book from adaptations will find the first ten chapters, at Gateshead and Lowood, longer and harder than they expect, and the St John Rivers chapters at the end stranger. Both are the point. This is a novel about a whole life, and it earns its famous last chapter by refusing to hurry toward it.

We present the complete text, with the author’s preface to the second edition and her note to the third, set anew for this edition; spelling and punctuation are the author’s.

Contents

  1. Dedication
  2. Preface
  3. Note to the Third Edition
  4. Chapter I
  5. Chapter II
  6. Chapter III
  7. Chapter IV
  8. Chapter V
  9. Chapter VI
  10. Chapter VII
  11. Chapter VIII
  12. Chapter IX
  13. Chapter X
  14. Chapter XI
  15. Chapter XII
  16. Chapter XIII
  17. Chapter XIV
  18. Chapter XV
  19. Chapter XVI
  20. Chapter XVII
  21. Chapter XVIII
  22. Chapter XIX
  23. Chapter XX
  24. Chapter XXI
  25. Chapter XXII
  26. Chapter XXIII
  27. Chapter XXIV
  28. Chapter XXV
  29. Chapter XXVI
  30. Chapter XXVII
  31. Chapter XXVIII
  32. Chapter XXIX
  33. Chapter XXX
  34. Chapter XXXI
  35. Chapter XXXII
  36. Chapter XXXIII
  37. Chapter XXXIV
  38. Chapter XXXV
  39. Chapter XXXVI
  40. Chapter XXXVII
  41. Chapter XXXVIII — Conclusion

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About this edition

The text is free of copyright. This edition was prepared from an authoritative digitisation, processed by Bibliomancer and held to human review; every automated correction is recorded in its transformation log. Rights assessed for CA, EU, GB, US.

Part of Victorian Fiction, Women Writers.

Source mind

About the author

Charlotte Brontë

1816–1855 · Victorian

A Bibliomancer biography of Charlotte Brontë is in preparation. See all their books.

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