Fiction · 1844
The Three Musketeers
In 1625 a young Gascon named d’Artagnan rides into Paris with a letter of introduction, a yellow horse and a gift for being challenged to duels. Within a day he has made enemies of the Cardinal’s guards and friends of three musketeers of the King — Athos, Porthos and Aramis — and within a month he is carrying the Queen’s honour across the Channel and back, with Richelieu’s agent Milady ahead of him at every stage.
Dumas serialised the novel in Le Siècle in 1844, taking his hero from the memoirs of the real d’Artagnan and working, as usual, with Auguste Maquet. Twenty Years After and The Vicomte de Bragelonne followed; the four friends and their motto long ago outgrew all three books.
This edition uses the anonymous English translation of 1846. Bibliomancer presents the complete text.
Contents
- Author’s Preface
- Chapter I — The Three Presents of D’Artagnan the Elder
- Chapter II — The Antechamber of M. de Tréville
- Chapter III — The Audience
- Chapter IV — The Shoulder of Athos, the Baldric of Porthos and the Handkerchief of Aramis
- Chapter V — The King’s Musketeers and the Cardinal’s Guards
- Chapter VI — His Majesty King Louis XIII
- Chapter VII — The Interior of the Musketeers
- Chapter VIII — Concerning a Court Intrigue
- Chapter IX — D’Artagnan Shows Himself
- Chapter X — A Mousetrap in the Seventeenth Century
- Chapter XI — In Which the Plot Thickens
- Chapter XII — George Villiers, Duke of Buckingham
- Chapter XIII — Monsieur Bonacieux
- Chapter XIV — The Man of Meung
- Chapter XV — Men of the Robe and Men of the Sword
- Chapter XVI — In Which M. Séguier, Keeper of the Seals, Looks More Than Once for the Bell
- Chapter XVII — Bonacieux at Home
- Chapter XVIII — Lover and Husband
- Chapter XIX — Plan of Campaign
- Chapter XX — The Journey
- Chapter XXI — The Countess de Winter
- Chapter XXII — The Ballet of La Merlaison
- Chapter XXIII — The Rendezvous
- Chapter XXIV — The Pavilion
- Chapter XXV — Porthos
- Chapter XXVI — Aramis and His Thesis
- Chapter XXVII — The Wife of Athos
- Chapter XXVIII — The Return
- Chapter XXIX — Hunting for the Equipments
- Chapter XXX — D’Artagnan and the Englishman
- Chapter XXXI — English and French
- Chapter XXXII — A Procurator’s Dinner
- Chapter XXXIII — Soubrette and Mistress
- Chapter XXXIV — In Which the Equipment of Aramis and Porthos Is Treated of
- Chapter XXXV — A Gascon a Match for Cupid
- Chapter XXXVI — Dream of Vengeance
- Chapter XXXVII — Milady’s Secret
- Chapter XXXVIII — How, Without Incommoding Himself, Athos Procures His Equipment
- Chapter XXXIX — A Vision
- Chapter XL — A Terrible Vision
- Chapter XLI — The Siege of La Rochelle
- Chapter XLII — The Anjou Wine
- Chapter XLIII — The Sign of the Red Dovecot
- Chapter XLIV — The Utility of Stovepipes
- Chapter XLV — A Conjugal Scene
- Chapter XLVI — The Bastion Saint-Gervais
- Chapter XLVII — The Council of the Musketeers
- Chapter XLVIII — A Family Affair
- Chapter XLIX — Fatality
- Chapter L — Chat Between Brother and Sister
- Chapter LI — Officer
- Chapter LII — Captivity: The First Day
- Chapter LIII — Captivity: The Second Day
- Chapter LIV — Captivity: The Third Day
- Chapter LV — Captivity: The Fourth Day
- Chapter LVI — Captivity: The Fifth Day
- Chapter LVII — Means for Classical Tragedy
- Chapter LVIII — Escape
- Chapter LIX — What Took Place at Portsmouth August 23, 1628
- Chapter LX — In France
- Chapter LXI — The Carmelite Convent at Béthune
- Chapter LXII — Two Varieties of Demons
- Chapter LXIII — The Drop of Water
- Chapter LXIV — The Man in the Red Cloak
- Chapter LXV — Trial
- Chapter LXVI — Execution
- Chapter LXVII — Conclusion
- Epilogue
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About this edition
The text is free of copyright. This edition was prepared from an authoritative digitisation, processed by Bibliomancer under its own review protocol; every automated correction is recorded in its transformation log. Rights assessed for CA, EU, GB, US.
Part of The French Novel.
Source mind
About the author
1802–1870 · Victorian
Alexandre Dumas (1802–1870) was born at Villers-Cotterêts, the son of a general of the Revolutionary armies who had himself been born in Saint-Domingue to a French nobleman and an enslaved woman. Dumas made his name in the Paris theatre with Henri III et sa cour (1829), then turned to the serial novel, working with collaborators — chiefly Auguste Maquet — on The Three Musketeers and The Count of Monte Cristo, both begun in 1844. His remains were moved to the Panthéon in 2002.
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