Shakespeare’s Sonnets by William Shakespeare — Bibliomancer edition cover

Free to read online. No account needed.

Poetry · 1609

Shakespeare’s Sonnets

William Shakespeare

Reading time
about 1.5 h
Length
17,534 words · 60 pages
Structure
154 chapters
Language
English
Era
Renaissance

A sequence of a hundred and fifty-four sonnets moves between an intense, often anguished devotion to a beautiful young man and a turbulent, physically frank obsession with a "dark lady" — meditating throughout on time, beauty, jealousy, and the power of poetry itself to outlast them all.

William Shakespeare's sonnets were published in 1609, though most are thought to have been written more than a decade earlier and to have circulated privately among friends before ever reaching print; the identities of the young man and the dark lady they address remain unresolved after four centuries of speculation.

This Bibliomancer edition presents the complete text.

Contents

  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. XIV
  15. XV
  16. XVI
  17. XVII
  18. XVIII
  19. XIX
  20. XX
  21. XXI
  22. XXII
  23. XXIII
  24. XXIV
  25. XXV
  26. XXVI
  27. XXVII
  28. XXVIII
  29. XXIX
  30. XXX
  31. XXXI
  32. XXXII
  33. XXXIII
  34. XXXIV
  35. XXXV
  36. XXXVI
  37. XXXVII
  38. XXXVIII
  39. XXXIX
  40. XL
  41. XLI
  42. XLII
  43. XLIII
  44. XLIV
  45. XLV
  46. XLVI
  47. XLVII
  48. XLVIII
  49. XLIX
  50. L
  51. LI
  52. LII
  53. LIII
  54. LIV
  55. LV
  56. LVI
  57. LVII
  58. LVIII
  59. LIX
  60. LX
  61. LXI
  62. LXII
  63. LXIII
  64. LXIV
  65. LXV
  66. LXVI
  67. LXVII
  68. LXVIII
  69. LXIX
  70. LXX
  71. LXXI
  72. LXXII
  73. LXXIII
  74. LXXIV
  75. LXXV
  76. LXXVI
  77. LXXVII
  78. LXXVIII
  79. LXXIX
  80. LXXX
  81. LXXXI
  82. LXXXII
  83. LXXXIII
  84. LXXXIV
  85. LXXXV
  86. LXXXVI
  87. LXXXVII
  88. LXXXVIII
  89. LXXXIX
  90. XC
  91. XCI
  92. XCII
  93. XCIII
  94. XCIV
  95. XCV
  96. XCVI
  97. XCVII
  98. XCVIII
  99. XCIX
  100. C
  101. CI
  102. CII
  103. CIII
  104. CIV
  105. CV
  106. CVI
  107. CVII
  108. CVIII
  109. CIX
  110. CX
  111. CXI
  112. CXII
  113. CXIII
  114. CXIV
  115. CXV
  116. CXVI
  117. CXVII
  118. CXVIII
  119. CXIX
  120. CXX
  121. CXXI
  122. CXXII
  123. CXXIII
  124. CXXIV
  125. CXXV
  126. CXXVI
  127. CXXVII
  128. CXXVIII
  129. CXXIX
  130. CXXX
  131. CXXXI
  132. CXXXII
  133. CXXXIII
  134. CXXXIV
  135. CXXXV
  136. CXXXVI
  137. CXXXVII
  138. CXXXVIII
  139. CXXXIX
  140. CXL
  141. CXLI
  142. CXLII
  143. CXLIII
  144. CXLIV
  145. CXLV
  146. CXLVI
  147. CXLVII
  148. CXLVIII
  149. CXLIX
  150. CL
  151. CLI
  152. CLII
  153. CLIII
  154. CLIV

New editions

Never lose your place.

This book is free to read in full, and stays that way. Leave an address: one click confirms it and opens a free account, so your progress and bookmarks sync across every device. You'll also hear when the next restored edition enters the archive. Terminate at any time.

Confirming opens a free account under the terms and privacy policy.

About this edition

The text is free of copyright. This edition was prepared from an authoritative digitisation, processed by Bibliomancer under its own review protocol; every automated correction is recorded in its transformation log. Rights assessed for CA, EU, GB, US.

Source mind

About the author

William Shakespeare

1564–1616 · Renaissance

William Shakespeare (1564–1616) was born in Stratford-upon-Avon, Warwickshire, and by the 1590s was established in London as an actor, playwright, and shareholder in the Lord Chamberlain's Men (later the King's Men), the theatre company for which he wrote nearly all of his plays and whose Globe Theatre he part-owned. His 154 sonnets, addressed variously to a young man and to a "dark lady" whose identities remain unknown, were published in 1609, likely without his direct involvement, though most are thought to have been written more than a decade earlier and circulated privately among friends. Alongside the sonnets and two long narrative poems, he wrote or co-wrote roughly three dozen plays across every major dramatic genre of his day, a body of work whose influence on English literature and language has no real parallel. He retired to Stratford-upon-Avon in his later years and died there at fifty-two.

Adjacent records

Open the archive