Love for Love by William Congreve — Bibliomancer edition cover

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Drama · 1695

Love for Love

A Comedy

William Congreve

Reading time
about 2.5 h
Length
32,421 words · 170 pages
Structure
68 chapters · 4 front-matter sections
Language
English
Era
Enlightenment

Valentine Legend is deep enough in debt that his own father offers him a way out: sign away his inheritance to his younger brother Ben, a blunt sailor fresh off a ship who has no interest in fine society, and take a lump sum instead. Valentine's only real chance of getting both the money and the woman he actually wants — Angelica, wealthy, quick-witted, and unwilling to be won by anything less than proof he means it — is to out-scheme his own family before the ink dries.

William Congreve's comedy premiered in London in 1695 and was an immediate hit, confirming him, alongside Wycherley, as a leading voice of Restoration comedy's wit-driven marriage plots and scheming servants; only The Way of the World (1700), his last and now most celebrated play, would eventually eclipse it.

This Bibliomancer edition presents the complete text.

Contents

  1. Epigraph
  2. Dedication
  3. Prologue
  4. Epilogue
  5. Dramatis Personæ
  6. Act I — Scene I
  7. Scene II
  8. Scene III — Valentine, Scandal
  9. Scene IV — Valentine, Scandal, Jeremy
  10. Scene V — Valentine, Scandal, Trapland, Jeremy
  11. Scene VI
  12. Scene VII
  13. Scene VIII — Valentine, Scandal
  14. Scene IX
  15. Scene X — Valentine, Scandal
  16. Scene XI
  17. Scene XII
  18. Scene XIII
  19. Scene XIV
  20. Scene XIV
  21. Act II — Scene I
  22. Scene II
  23. Scene III — Angelica, Foresight, Nurse
  24. Scene IV
  25. Scene V
  26. Scene VI
  27. Scene VII — Foresight, Sir Sampson, Valentine, Jeremy
  28. Scene VIII — Valentine, Jeremy
  29. Scene IX
  30. Scene X
  31. Scene XI — Tattle, Miss Prue
  32. Act III — Scene I
  33. Scene II — Tattle, Miss Prue
  34. Scene III — Tattle, Valentine, Scandal, Angelica
  35. Scene IV
  36. Scene V — Angelica, Sir Sampson, Tattle, Mrs. Frail, Miss Prue
  37. Scene VI
  38. Scene VII
  39. Scene VIII
  40. Scene IX
  41. Scene X
  42. Scene XI — Scandal, Foresight
  43. Scene XII
  44. Scene XIII
  45. Scene XIV — Scandal, Mrs. Foresight
  46. Scene XV
  47. Act IV — Scene I
  48. Scene II
  49. Scene III — Scandal, Angelica, Jenny
  50. Scene IV
  51. Scene V
  52. Scene VI
  53. Scene VII — Sir Sampson, Valentine, Scandal, Jeremy
  54. Scene VIII — Sir Sampson, Valentine, Scandal
  55. Scene IX
  56. Scene X — Sir Sampson, Valentine, Scandal, Jeremy
  57. Scene XI — Sir Sampson, Scandal, Foresight, Miss Foresight, Mrs. Frail
  58. Scene XII — Scandal, Foresight, Mrs. Foresight, Mrs. Frail
  59. Scene XIII — Mrs. Frail, Ben
  60. Scene XIV — Mrs. Frail, Mrs. Foresight
  61. Scene XV
  62. Scene XVI
  63. Scene XVII
  64. Scene XVIII — Angelica, Valentine
  65. Scene XIX
  66. Scene XX — Valentine, Angelica, Jenny
  67. Scene XXI — Valentine, Jeremy
  68. Act V — Scene I
  69. Scene II — Angelica, Sir Sampson
  70. Scene III — Tattle, Jeremy
  71. Scene IV — Tattle, Miss Prue
  72. Scene V
  73. Scene VI — Foresight, Miss Prue
  74. Scene VII
  75. Scene VIII — Foresight, Scandal, Mrs. Foresight, Ben
  76. Scene IX
  77. Scene X
  78. Scene XI

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About this edition

The text is free of copyright. This edition was prepared from an authoritative digitisation, processed by Bibliomancer under its own review protocol; every automated correction is recorded in its transformation log. Rights assessed for CA, EU, GB, US.

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About the author

William Congreve

1670–1729 · Enlightenment

William Congreve (1670–1729) was born in England but raised largely in Ireland, where his father was stationed with the army, and studied at Trinity College Dublin alongside Jonathan Swift before returning to London to read law. His first play, the comedy The Old Bachelor (1693), was an immediate success, and Love for Love (1695) confirmed him as the leading playwright of Restoration comedy; The Way of the World (1700), now considered his masterpiece, was coolly received in his own lifetime and proved to be his last play. He lived out his remaining three decades on the income from public offices and the friendship of London's literary world, including Swift and Alexander Pope. He died in London at fifty-eight from injuries sustained in a carriage accident months earlier, and was buried in Westminster Abbey.

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