Fiction · 1861
Great Expectations
Pip, an orphan raised by his sister and her husband, the blacksmith Joe Gargery, meets an escaped convict on the marshes and, soon after, is summoned to play at Satis House by the reclusive Miss Havisham. Years later a mysterious benefactor makes him a gentleman with “great expectations”, and Pip must learn what he owes and to whom.
Serialised in 1860–61 and published in three volumes in 1861, Charles Dickens’s thirteenth novel is among his most tightly built: a first-person account of guilt, class, gratitude and self-knowledge, with some of his most memorable inventions.
Dickens wrote two endings and printed the second, in which the evening mists rise over the ruined garden at Satis House; it is the one given here, and readers have argued for a century about which he should have kept.
Introduction
Editorial matter by Bibliomancer — separate from the author’s text.
Great Expectations was written to save a magazine. Dickens had launched All the Year Round in 1859 and, in the autumn of 1860, watched its circulation fall under a serial by Charles Lever that readers would not follow. He had been planning a short comic piece about a boy and a convict; he turned it instead into a full novel and began publishing it weekly, in his own magazine, on 1 December 1860. The last instalment appeared on 3 August 1861, and Chapman and Hall published the book in three volumes the same year. Weekly serialisation meant short chapters and a plot that had to move; it also meant, Dickens said, that he had to hold himself back from the expansiveness of his monthly novels, and the book is the tighter for it.
It is, after David Copperfield, the only one of his novels told wholly in the first person, and the one in which the device is most completely earned. Pip narrates from the far side of the events, as a man who has learned what he did not know as a boy, and the distance between the two voices — the boy in the marsh churchyard, the man who judges him — is the book’s engine. Readers remember Magwitch rising among the graves and Miss Havisham in her stopped room; they should also notice how much of the novel is about money and what it does to people, and how unusual it is for Dickens to make his hero behave badly to the one person who has loved him without condition.
Dickens wrote an ending in which Pip and Estella meet once, briefly, and part; Edward Bulwer-Lytton, who read the proofs, urged something less bleak, and Dickens substituted the closing page that appears in the published book and in this edition. The original ending survives in his manuscript and is printed in most scholarly editions; it is not part of the text he published, and we have not added it.
This edition follows the Gutenberg transcription of the 1861 text, complete and unabridged, typeset by Bibliomancer; the chapter numbering is continuous, as Dickens published it, rather than divided into the three “stages” of the volume edition.
Contents
- Chapter I
- Chapter II
- Chapter III
- Chapter IV
- Chapter V
- Chapter VI
- Chapter VII
- Chapter VIII
- Chapter IX
- Chapter X
- Chapter XI
- Chapter XII
- Chapter XIII
- Chapter XIV
- Chapter XV
- Chapter XVI
- Chapter XVII
- Chapter XVIII
- Chapter XIX
- Chapter XX
- Chapter XXI
- Chapter XXII
- Chapter XXIII
- Chapter XXIV
- Chapter XXV
- Chapter XXVI
- Chapter XXVII
- Chapter XXVIII
- Chapter XXIX
- Chapter XXX
- Chapter XXXI
- Chapter XXXII
- Chapter XXXIII
- Chapter XXXIV
- Chapter XXXV
- Chapter XXXVI
- Chapter XXXVII
- Chapter XXXVIII
- Chapter XXXIX
- Chapter XL
- Chapter XLI
- Chapter XLII
- Chapter XLIII
- Chapter XLIV
- Chapter XLV
- Chapter XLVI
- Chapter XLVII
- Chapter XLVIII
- Chapter XLIX
- Chapter L
- Chapter LI
- Chapter LII
- Chapter LIII
- Chapter LIV
- Chapter LV
- Chapter LVI
- Chapter LVII
- Chapter LVIII
- Chapter LIX
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About this edition
The text is free of copyright. This edition was prepared from an authoritative digitisation, processed by Bibliomancer and held to human review; every automated correction is recorded in its transformation log. Rights assessed for CA, EU, GB, US.
Part of Victorian Fiction.
Source mind
About the author
1812–1870 · Victorian
A Bibliomancer biography of Charles Dickens is in preparation. See all their books.
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