Romeo and Juliet.

The new-comers were, according to the frequent custom of such frolickers all over the world, disguised in a sort of masquing habits, and designed to represent the Tritons and Mermaids, with whom ancient tradition and popular belief have peopled the northern seas. The former, called by Zetlanders of that time, Shoupeltins, were represented by young men grotesquely habited, with false hair, and beards made of flax, and chaplets composed of sea-ware interwoven with shells, and other marine productions, with which also were decorated their light-blue or greenish mantles of wadmaal, repeatedly before-mentioned. They had fish-spears, and other emblems of their assumed quality, amongst which the classical taste of Claud Halcro, by whom the masque was arranged, had not forgotten the conch-shells, which were stoutly and hoarsely winded, from time to time, by one or two of the aquatic deities, to the great annoyance of all who stood near them.

The Nereids and Water-nymphs who attended on this occasion, displayed, as usual, a little more taste and ornament than was to be seen amongst their male attendants. Fantastic garments of green silk, and other materials of superior cost and fashion, had been contrived, so as to imitate their idea of the inhabitants of the waters, and, at the same time, to show the shape and features of the fair wearers to the best advantage. The bracelets and shells, which adorned the neck, arms, and ankles of the pretty Mermaidens, were, in some cases, intermixed with real pearls; and the appearance, upon the whole, was such as might have done no discredit to the court of Amphitrite, especially when the long bright locks, blue eyes, fair complexions, and pleasing features of the maidens of Thule, were taken into consideration. We do not indeed pretend to aver, that any of these seeming Mermaids had so accurately imitated the real siren, as commentators have supposed those attendant on Cleopatra did, who, adopting the fish’s train of their original, were able, nevertheless, to make their “bends,” or “ends,” (said commentators cannot tell which,) “adornings.”45 Indeed, had they not left their extremities in their natural state, it would have been impossible for the Zetland sirens to have executed the very pretty dance, with which they rewarded the company for the ready admission which had been granted to them.

It was soon discovered that these masquers were no strangers, but a part of the guests, who, stealing out a little time before, had thus disguised themselves, in order to give variety to the mirth of the evening. The muse of Claud Halcro, always active on such occasions, had supplied them with an appropriate song, of which we may give the following specimen. The song was alternate betwixt a Nereid or Mermaid, and a Merman or Triton—the males and females on either part forming a semi-chorus, which accompanied and bore burden to the principal singer.