*chapter Vii*

*THE CONSOLATRIX*

Thus, Franky got up and moved away, driven by the stinging cloud of thoughts that pursued and battened on him, and presently found himself following a stream of people up a flight of marble steps, and under an imposing portico that ended in a turnstile and a National Collection of Paintings and Sculptures.

Wandering through a maze of long skylighted galleries where the master-works of Modern Art are conserved and cherished, he was to encounter the thought that haunted him in a myriad of images, wrought by the chisel, the brush, the burin, and the graving-tool in marble or bronze, upon canvas or panel, in ivory, or silver, or enamel, or gold.

A sculptured Hagar mourning by the side of her dying Ishmael caught his eye as he entered the first gallery. Farther on, Eve after the Fall lifted the infant Cain to receive the kiss of Adam, homing to his shack of green branches at the end of the labouring day. And a shag-thighed, curly-horned Pan romped with a litter of sturdy bear-cubs, and medallions and panels of childhood were everywhere.

It was the same in the galleries devoted to painting. A Breton christening-party, depicted with the roughness that hides consummate mastery of technique, trudged along a snowy coast-road towards a little chapel near the seashore. The young mother in her winged starched cap and bodice of black velvet, yet pale from the ordeal of anguish, walked between her smiling gossips, carrying her new-born infant, chrysalis-like in its linen swaddlings, to be made into a good Christian by M. le Cure. And seated on a broken throne of red granite beneath the towering propylaeum of a ruined Egyptian temple, whose colonnades of lotus columns, and walls painted with processions of hierophants offering incense to bird or beast-headed deities, and bewigged dancers and musicians ministering to the pleasures of long-eyed kings, receded down long perspectives into distance, a Woman, young and slender and draped in a long blue cloak over a white robe, gazed downwards at a naked Child sleeping upon her knees. And about the downy temples of the Child shone a slender ring of mystic brightness, and another, more faint, haloed the chastely beautiful head of the Mother bending above.

Another canvas, austere and gorgeous, with the marvellous blues and emeralds and rich deep crimsons of old Byzantine ornament in relief against a background of dull tawny gold, showed the same maternal figure, far older and in darker draperies, seated upon a chair of wrought ivory upon a dais, looking outward and upward with deep eyes of unfathomable tenderness and sorrow, and pale hands lifted in supplication to that Heaven whither Her Son ascended after His Victory over Death. Across the knees of the Consolatrix Afflictorum a mourning mother lay prone and tearless. And at the feet of the Virgin, outstretched amidst the scattered petals of some fallen roses, you saw the nude, beautiful body of a male child of some three years old.

But little of the inner meaning of Bouguereau’s great picture filtered through Franky’s honest brown eyes to the mind that lay somewhere behind them. But he realised that for the grieving woman who had borne a son and lost him there was no more joy in the world.

The Child of that Woman upon whose knees she leaned her breaking heart had lived to attain to the perfect ripeness of glorious Manhood. But then… Franky followed the lines of the dark, downward-drifting veil up to the rapt Mother-face with the sorrowful, close-folded mouth and the deep, fathomless eyes, and remembered what had happened to Her Son.

“Beg pardon!” he found himself muttering between his teeth. His hand went up, and he had bared his sleek brown head before he knew. This wasn’t a Roman Catholic Church, anyway … there was no obligation even to appear respectful; France had long ago kicked over the traces of Religion—all French people were Freethinkers in these days. Telling himself this, Franky did not replace the shiny topper. One rapid glance to right and left had shown him that the gallery was nearly empty; the few visitors it contained were too far distant to have observed the action. Except, possibly, one person, a lean, short, elderly man in shabby black, who stood some paces behind, a little to the left of Franky, holding a shovel-brimmed round-crowned beaver with both hands against his sunken chest as he gazed with bright, absorbed eyes at the wonderful rapt face of the Consoler; his lips moving rapidly as he whispered to himself, not breaking off or twitching a muscle because Franky had glanced round:

Franky glanced round again, and this time encountered the oddly young eyes of his neighbour, looking from a brown, deeply wrinkled visage framed in thickly growing, straight black hair, heavily streaked with white.

“Monsieur is a lover of Art?”

Undoubtedly a Frenchman, he addressed Franky in cultured English, with a tone and manner excellently graced. The vivid clearness of his amber-coloured eyes, set in the now smiling mask of walnut-brown wrinkles, was attractive. And Franky answered, unconsciously warming to the look and smile:

“Must say I hardly know. Things that clever, intellectual people go into raptures over, bore me simply stiff. Other things—things they howl down—go straight to the spot, you see. And all I can say when I’m hauled over the coals for liking rubbish is, that the rubbish is good enough for this child.”

“I comprehend.	Monsieur has the courage of his convictions. It is a
quality rare in these days.	And—this painting particularly appeals to
Monsieur?	May one be pardoned for asking why?”

The voice was suave, but it somehow compelled an answer. Franky, with an indistinct remembrance of viva voce examinations awakening in him, cleared his throat and fell back a pace or two… Well set up and well-bred, well-groomed and well-dressed, his figure, beside that other in the priestly soutane of rusty alpaca, short enough to reveal coarse ribbed stockings of black yarn, and cracked prunella shoes with worn steel buckles, made a contrast sufficiently quaint to provoke a stare of curiosity, had any observer passed just then. But standing together on the beeswaxed floor at the upper end of the long, bright, skylighted gallery, the Guardsman and his temporary acquaintance were as private as it is possible to be in a public place.

Thus, at the cost of a heightened complexion and an occasional stammer, Franky explained himself. The painting appealed to him because it recalled a Bible story—made familiar to Franky by reason of having swotted it at School for Sunday Ques. with other fellows of the Fifth in Greyshott’s time. Also, on the wind-up Sunday of his, Franky’s, Last Term, having passed for the Army with the dev—hem!—of a lot of trouble—a beastly epidemic of diphtheria and scarlet fever having broken out among the children of the Windsor poor, the Head had preached from the text in Big Chapel. And the text went something like this:

“A Voice in Rama was heard, of lamentation and mourning: Rachel bewailing her children: and would not be comforted because they are not.”

The haggard, beautiful, tearless Rachel of the picture hadn’t bucked at the disfigurement and the pain and the danger of child-bearing. She had welcomed them for the sake of the kid… It was a thundering pity he hadn’t lived—in Franky’s opinion; “woman jolly well deserved to have been let keep that clinking fine boy to rear.”

“I comprehend.” The clear eyes flashed into Franky’s, the withered brown mask was alight with sympathetic intelligence. “To Monsieur, an English officer and a member of the Protestant Church of England, that woman who leans her bursting heart upon the knees of the Mother of Consolation is Rachel.” He quoted:

“‘Vox in Rama audita est, ploratus el ululatus: Rachel plorans filios suos: et noluit consolari, quia non sunt.’”

“That’s it!” Franky nodded, admitting candidly: “Though I always was a duffer at Latin, and we weren’t taught at School to pronounce it—quite in that way.”

Said the clear-eyed old man, whose dark wrinkled throat displayed no edge of linen above the plain circular collar of the soutane, only a significant border of purple from which two widish lappets of the same colour depended beneath the peaked and mobile chin, and who might have been a prelate of sorts, had it not been understood of simple Franky that the State had abolished the Catholic religion and banished all priests, monks, and nuns from France.

“The Italianate Latin puzzles you… It is—slightly different to the Latin they taught you at Eton? Hein? When I lived in England—not so long ago—I counted several brave Eton fellows among my acquaintances. And their mental attitude with regard to the language of Virgil, Horace, and Tacitus was precisely that of Monsieur.”

He chuckled, and his oddly young eyes twinkled quite gaily as he pulled out a battered little silver snuff-box and helped himself, wrinkling his thin hooked nose with evident enjoyment. As he dusted the pungent brown grains from his lappets with a coarse blue-checked cotton handkerchief, an amethyst ring on the wrinkled hand flashed pink and violet in the light.

“To Monsieur who is doubtless familiar with the Scriptures in Tyndall’s translation, I might suggest that the Latin of the Ancient Romans should be pronounced in the Roman style! But Monsieur will pardon this tone of the pedagogue. I will not ‘bore you stiff’ with a classical disquisition. Permit me to thank you for your amiable compliance with the request of an old man, and to wish you good-day.”

He combined apology, farewell, and dismissal in a courtly little bow, and as though undoubting that the other would pass on, plunged again into the picture. But Franky lingered to say, awkwardly:

“Perhaps … If you don’t mind…”

“Hein? …”

The keen eyes reverted to his embarrassed face instantly.

“What if I do not mind? … There is something you desire to ask me?”

“Well, yes!” Franky admitted. “Don’t quite pipe why, but I rather cotton to hearing your version… Of the meaning of that picture, you know! …”

“Yes—yes! I understand! …” The vivid eyes flashed piercingly into Franky’s, and leaped back to the great glorious canvas within the stately frame. “To you who were once a boy at Eton that woman who has no more tears to shed is Rachel of Rama… To me, once Seminarist of the Institut Catholique, as to others of my holy faith and sacred calling—she is France—our beloved France, who leans upon the knees and against the bosom of the Catholic Church in her bereavement—mourning with anguish unutterable her children who are dead… Dead to Faith, dead to the Spiritual Life—members separated from the Body of Christ by their own choice as by the act of Government. Lost!—unless the ray of Divine Grace find and touch them in their self-made darkness, and they repent, and turn themselves to Christ again!”

Franky said, with wholly lovable banality:

“Rather sweepin’, but natural conclusion, from a religious point o’ view. Still, when a whole nation gets up like one man and bally well chucks a Religion, there must be something jolly off-colour and thundering rotten about that Religion, don’t you know?”

“A whole nation!”

The bright eyes held Franky’s sternly. He lifted his right arm, and the withered hand still shut upon the battered snuff-box shot up two fingers in vigorous protest. “Pardon, Monsieur—you are very seriously mistaken. France was never more Catholic at heart than now. How strange!—when but twenty-one miles of salt water divide Calais from Dover—when the Entente Cordiale has established between your country and mine nominally close and intimate relations; that so complete an ignorance as to the French Nation, its Government, its mode of thought, its moral, religious, and social conditions, should be found prevailing in Great Britain to-day!”

“My dear sir, you’re off the bull—completely off!” protested Franky—Franky whose second sister was married to a Frenchman, Franky who knew Paris as well as the inside of his week-end suit-case, by Jove!

A deprecating shrug and a supple outstretched hand cut short the speaker.

“Pardon, Monsieur l’Anglais—I know what you would say to me! There is much force in the argument… It is tres sensee—and there is truth in it, and yet it is false—to be guilty of a paradox. The aristocracy of Great Britain, like her plutocracy, set high value upon much that comes from France. British gold is poured into my country in return for the newest and most fanciful modes in costume, millinery, and jewellery. And not only do your beautiful women adorn themselves with the inventions of our bold and original genius for ornament, but for your menus, your pleasures, the novels and plays that paint in intoxicating colours the joys of unchaste love and illicit passion, for the sensuous poetry that is garlanded with the flame-hued flowers of Evil, you are ready to praise and pay us lavishly, as though no nobler growth than this rank luxuriance sprang from the intellectual soil of France. Our vices—alas!—with the appalling diseases that spring from them, and the combinations of drugs that alleviate these—all find with you a ready market. And you attend our race-meetings at Longchamps and Auteuil, where English jockeys ride French and Irish horses—and you believe, you!—that you know the social life of France. No!—but you are ignorant—profoundly ignorant! May GOD be thanked that you misjudge us thus cruelly. For if my country were no better than Great Britain and other foreign nations believe her to be, it were time indeed for a rain of fire from Heaven!”

Hardly raising his voice above a clear whisper, the emotion and vehemence with which he spoke, and the swift and fiery gesticulations with which he illustrated utterance, made the sweat start out in beads upon his wrinkled forehead and cheeks. He wiped these off with the blue checked handkerchief, saying:

“Pardon! I grow warm when I speak of these things. I recognise that if in the judgment of other nations France is a courtesan drunk with lechery, or at the best un esprit follet, she has brought this judgment upon herself. Flippancy, the desire to faire de l’esprit under any circumstances—the bold and brilliant gaiety that is her exclusive and most beautiful characteristic—these have caused her to be misunderstood. But whatever else she be, she is not Pagan nor Agnostic. To believe that is to wrong her cruelly, Monsieur!”

Franky, by now hopelessly at sea, endured the hailstorm of swift, vehement sentences with an expression of amiable vacuity, his stiffly pendent hands plainly yearning for the refuge of his trousers pockets, his mind rocking on the waves of the stranger’s passionate eloquence like a toy yacht adrift on the bosom of the Atlantic. And the resonant Gallic voice went on:

*CHAPTER VIII**