A Death in the Desert
— 1–12. The bracketed prefatory lines, explanatory of the parchment on which are recorded the last hours and last talk of St. John with his devoted attendants, purport to have been written by one who was at the time the owner of the parchment. It appears to have come into his possession through his wife, a niece of the Xanthus who, with Pamphylax of Antioch, the supposed author of the narrative (he having told it on the eve of his martyrdom to a certain Phoebas, v. 653), and two others, is represented therein as waiting on the dying apostle, and who afterwards “escaped to Rome, was burned, and could not write the chronicle.” (vv. 56, 57.)
4. And goeth from Epsilon down to Mu: the reference is to some numbering on the parchment.
6. terebinth: the turpentine tree. —
— 23. the decree: of persecution of the Christians, perhaps that under Domitian. The poet probably did not think of any particular persecution. —
— 36. the Bactrian convert: in vv. 649, 650, he is spoken of as “but a wild childish man, and could not write nor speak, but only loved.” Bactria was a kingdom in Central Asia; the modern name is Balkh. having his desire: as a new convert, the simple man was eager to serve, even unto death.
41. aware: on the lookout; exercising a strict espionage. —
— 60. the seventh plate of graven lead: one of the plates on which John’s Gospel was graven. It contained, it appears, the 11th chapter, in which Jesus says to Martha, 25th verse, “I am the Resurrection and the Life.” The Boy uttered the words with such expression as ‘twere HIS mouth first proclaiming them. —
— 69. the lone desert-bird: the ruff may possibly be referred to. See Webster, s.v. —
— 76. withdrawn into my depths: into the depths of his absolute being, of the “what Is”; see the doctrine of the trinal unity of man which follows. —
— 82–104. The supposed narrator, Pamphylax, gives in these bracketed verses, on the authority of an imagined Theotypas, a doctrine John was wont to teach, of the trinal unity of man— the third “person” of which unity, “what Is”, being man’s essential, absolute nature. The dying John is represented as having won his way to the Kingdom of the “what Is”, the Kingdom of eternal truth within himself. In Luke 17:20–21, we read: “And when he was demanded of the Pharisees, when the Kingdom of God should come, he answered them and said, The Kingdom of God cometh not with observation: neither shall they say, Lo here! or, Lo there! for, behold, the Kingdom of God is within you.” In harmony with which, Paracelsus is made to say, in Browning’s poem, “Truth is within ourselves; … there is an inmost centre in us all, where truth abides in fulness”; etc. See pp. 24 and 25 of this volume. “Life, you’ve granted me, develops from within. But INNERMOST OF THE INMOST, MOST INTERIOR OF THE INTERNE, GOD CLAIMS HIS OWN, DIVINE HUMANITY RENEWING NATURE” (Mrs. Browning’s ‘Aurora Leigh’). Mrs. M. G. Glazebrook, in her paper on ‘A Death in the Desert’, read at the 48th meeting of the Browning Society, Feb. 25th, 1887, paraphrases these lines: “The first and lowest {soul} is that which has to do with earth and corporeal things, the animal soul, which receives primary sensations and is the immediate cause of action —‘what Does’. The second is the intellect, and has its seat in the brain: it is superior to the first, but dependent on it, since it receives as material the actual experience which the animal soul supplies; it is the feeling, thinking, willing soul —‘what Knows’. The third, and highest, is the spirit of man, the very principle of life, the divine element in man linking him to God, which is self-subsistent and therefore independent of sensation and knowledge, but nevertheless makes use of them, and gives them existence and energy—‘what Is’.” —
— 113. superficial truth: phenomenal, relative truth; that which is arrived at through the senses, and belongs to the domain of the “what Knows”. Essential, absolute truth can be known only through a response thereto of the essential, the absolute, the “what Is”, in man’s nature. John has attained to a measure of absolute truth, and smiles on reverting to the very superficial truth of things.
121–123. See The Revelation of St. John, chap. 1.
125. your brother: he means himself, of course. —
— 156. I saw, I heard, I knew: expressions which occur throughout John’s Revelation.
188–197. The poet provides, in these lines, for the prophetic character of John’s discourse, its solution of the difficulties destined to beset Christianity in the future, and especially of those which have been raised in our own times. The historical bulwarks which the Strausses and the Renans have endeavored to destroy, Christianity, in its essential, absolute character, its adaptiveness to spiritual vitality, and the wants of the soul, can do without. Indeed, there will be much gained when the historical character of Christianity is generally disregarded. Its impregnable fortress, namely, the Personality, Jesus Christ, will remain, and mankind will forever seek and find refuge in it. Arthur Symons, in his ‘Introduction to the Study of Browning’, remarks: …”it is as a piece of ratiocination—suffused, indeed, with imagination— that the poem seems to have its raison d’etre. The bearing of this argument on contemporary theories, may to some appear a merit, to others a blemish. To make the dying John refute Strauss or Renan, handling their propositions with admirable dialectical skill, is certainly, on the face of it, somewhat hazardous. But I can see no real incongruity in imputing to the seer of Patmos a prophetic insight into the future—no real inconsequence in imagining the opponent of Cerinthus spending his last breath in the defence of Christian truth against a foreseen scepticism.” —
— 202. “Oh, not alone when life flows still do truth and power emerge, but also when strange chance ruffles its current; in unused conjuncture, when sickness breaks the body—hunger, watching, excess, or languor— oftenest death’s approach—peril, deep joy, or woe.” —Browning’s ‘Paracelsus’.
“Drawing near her death, she sent most pious thoughts as harbingers to heaven; and her soul saw a glimpse of happiness through the chinks of her sickness-broken body.” Fuller’s ‘Holy and Profane State’, Book I., chap. 2.
203. With me: connect with ‘share’, v. 198.
208–209. See p. 62 of this volume.
221–225. See stanzas 9 and 10 of ‘Rabbi Ben Ezra’.
227. an optic glass: perhaps anachronistic. —
— 284. the myth of Aeschylus: embodied in his ‘Prometheus Bound’.
295. the proofs shift: see pp. 37 and 38. Objective proofs, in spiritual matters, need reconstruction, again and again; and whatever may be their character, they are inadequate, and must finally, in the Christian life, be superseded by subjective proofs— by man’s winning his way to the kingdom of eternal truth within himself —the kingdom of the “what Is”.
307–310. See Matt. 26:56; Mark 14:50; John 18:3.
326–328. what the Roman’s lowered spear was found {to be, namely}, a bar, {etc.,} now proved {to be, etc.}.
329. This Ebion, this Cerinthus: see ‘Gibbon’s History of the Decline and Fall of the Roman Empire’, Chaps. 15, 21, 47. And see, especially, the able articles, “Cerinthus” and “Ebionism and Ebionites”, in the ‘Dictionary of Christian Biography’, etc., edited by Dr. William Smith and Professor Wace. “‘Ebion’ as a name first personified by Tertullian, was said to have been a pupil of Cerinthus, and the Gospel of St. John to have been as much directed against the former as the latter. St. Paul and St. Luke were asserted to have spoken and written against Ebionites. The ‘Apostolical Constitutions’ (vi. c. 6) traced them back to Apostolic times; Theodoret (Haer. fab. II. c. 2) assigned them to the reign of Domitian (A.D. 81–96). The existence of an ‘Ebion’ is, however, now surrendered.” From Art. Ebionism in ‘Dict. of Christian Biography’.
And see Prof. George P. Fisher’s ‘Beginnings of Christianity’, 1877.
“Cerinthus, a man who was educated in the wisdom of the Egyptians, taught that the world was not made by the primary God, but by a certain power far separated from him, and at a distance from that Principality who is supreme over the universe, and ignorant of him who is above all. He represented Jesus as having not been born of a virgin, but as being the son of Joseph and Mary according to the ordinary course of human generation, while he nevertheless was more righteous, prudent, and wise than other men. Moreover, after his baptism, Christ descended upon him in the form of a dove from the Supreme Ruler, and that then he proclaimed the unknown Father, and performed miracles. But at last Christ departed from Jesus, and that then Jesus suffered and rose again, while Christ remained impassible, inasmuch as he was a spiritual being.” ‘The Writings of Irenaeus, transl. by Rev. Alexander Roberts, D.D., and Rev. W. H. Rambaut, A.B.’, Edinburgh, 1868. Vol. I., Book I., Chap xxvi. —
— 346. darkling: an old adverbial form; in the dark. See ‘Paradise Lost’, III. 39. “O, wilt thou darkling leave me?” Sh’s ‘M. N. D.’, II. 2. 86; “So, out went the candle, and we were left darkling.” ‘Lear’, I. 4. 237; also ‘A. and C.’, IV. 15. 10.
353. What is the doubt, my brothers?: He addresses his brothers of the far future. The eight following verses are very beautiful.
362–365. The question, “Where is the promise of His coming?” asked in John’s own day, gives place in the far future to which the ken of the dying Apostle extends, to the question whether God was indeed revealed in Christ, ‘As Power, as Love, as Influencing Soul’, or whether, man having already love in himself, Christ were not a mere projection from man’s inmost mind (v. 383)? If so there is nothing to fall back on but force, or natural law. This anticipated questioning and reasoning extends from v. 370 to v. 421. —
— 367. And let us ask and answer: John’s talk, it must be understood, is with future people, not with the attendants.
368. My book speaks on: that is, to people of all futures, because it cannot pass away.
371. What truth, etc.: that is, truth is soon perverted, obscured, and often turned into positive untruth.
372. Wonders, that would prove doctrine: that is, whose purpose was to prove.
385. Comes to be considered as something outside of, and distinct from, himself. —
— 424. Here John’s answer begins to the questioning and reasoning contained in vv. 370–421.
In vv. 424–434, is contained a favorite teaching of Browning. It appears in various forms throughout his poetry. See the quotation from ‘Luria’, p. 38.
428. This imports solely: this is the one all important thing.
428–430. A similar comparison is used in ‘Julius Caesar’, A. II., S. I., 22–27:
452. This might be pagan teaching: that is, even pagan teaching might go so far as this. —
— 472. So faith grew, making void more miracles: the outward manifestations of spiritual powers (du/namis, ‘power’, ‘act of power’, and shmei^on, ‘sign’, ‘token’, are the original words in the N. T., which are translated ‘miracle’) gave place to subjective proof. Christianity was endorsed by man’s own soul. To this may be added, that even the historical bulwarks of Christianity may, ere long, be dispensed with.
474–481. These verses may be taken as presenting Browning’s own conclusion as to the whole duty of man, in a spiritual direction. And see the quotation from ‘Christmas Eve’ and the remarks which follow, on pp. 63 and 64. —
— 514–539. John anticipates another objection that will be made to his Gospel, namely, that so many things therein are not cleared up, that the whole truth is not told in the proper words, the sceptic claiming that everything should have been so proved
that all after-doubt, impossible in the face of truth—truth absolute, uniform, might have been stopped.
523. Had stopped: would have stopped.
530. the heathen bard’s: Aeschylus’.
531. famous play: ‘Prometheus Bound’.
532. ephemerals’: mortals’.
537. Titan’s: Prometheus’. —
— 540–633. All that John says in these verses, in reply to the anticipated objections urged in vv. 514–539, are found, substantially, in several passages in Browning’s poetry. See remarks on pp. 36–38 beginning, “The human soul is regarded in Browning’s poetry”, etc. An infallible guide, which would render unnecessary any struggles on man’s part, after light and truth, would torpify his powers. And see vv. 582–633 of the present poem.
552. Man takes that title now: that is, of ‘First, last, and best of things”, if, etc. See sections 17 and 18 of ‘Saul’, and stanza 10 of ‘Rabbi Ben Ezra’. And see the grand dying speech of Paracelsus, which concludes Browning’s poem.
554. “A law of nature means nothing to Mr. Browning if it does not mean the immanence of power, and will, and love. He can pass with ready sympathy into the mystical feeling of the East, where in the unclouded sky, in the torrent of noonday light, God is so near
But the wisdom of a Western ‘savant’ who in his superior intellectuality replaces the will of God by the blind force of nature, seems to Mr. Browning to be science falsely so called, a new ignorance founded upon knowledge,
To this effect argues the prophet John in ‘A Death in the Desert’, anticipating with the deep prevision of a dying man the doubts and questionings of modern days. And in the third of those remarkable poems which form the epilogue of the ‘Dramatis Personae’, the whole world rises in the speaker’s imagination into one vast spiritual temple, in which voices of singers, and swell of trumpets, and cries of priests are heard going up to God no less truly than in the old Jewish worship, while the face of Christ, instinct with divine will and love, becomes apparent, as that of which all nature is a type or an adumbration.” —Prof. Edward Dowden in his Comparative Study of Browning and Tennyson (Studies in Literature, 1789–1877). —
— 652. Pamphylax tells the story to Phoebas, on the eve of his martyrdom.
654–660. See Gospel of St. John 21:20–24.
662. regard: look.
De Quincey remarks (Milton vs. Southey and Landor) in reply to Landor’s demurring that “meek regard conveys no new idea to placid aspect”: “But ASPECT is the countenance of Christ when passive to the gaze of others; REGARD is the same countenance in active contemplation of those others whom he loves or pities. The PLACID ASPECT expresses, therefore, the divine rest; the MEEK REGARD expresses the divine benignity; the one is the self-absorption of the total Godhead, the other the external emanation of the Filial Godhead.” —
{Cerinthus read and mused; one added this:—665
— 665. Cerinthus read and mused: It must be supposed that an opportunity had been afforded Cerinthus of reading the MS. by the one who added the postscript, which is addressed to him, and who sought his conversion.
683. That is, ‘With me as {with} Pamphylax, with him as {with} John’: See Gospel of John, 17:11,21–23. —
“In the critical examination of the evangelical records, the fourth Gospel suffered most. Strauss—in this instance following his early master and later antagonist, Baur—denied that St. John had anything to do with its composition. The author, he held, was neither St. John nor any one else who had personally known Christ: nor, in accordance with a widely accepted theory, did he believe it to be the work of a pupil of St. John, who, after the death of his master, related, from memory or from fragmentary notes, traditions and sayings which had been taught him, and made out of them a continuous history. Strauss pronounced it to be a controversial work, written late in the second century after Christ, by a profound theologian of the Greek Gnostic and anti-Jewish school, whose design was not to add another to the existing biographies of Christ, not to represent him as a real man, nor to give an account of any human life, but to produce an elaborate theological work in which, under the veil of allegory, the Neo-platonic conception of Christ as the Logos, the realized Word of God, the divine principle of light and life, should be developed. With this purpose, the writer made a free selection from the sayings and doings of Christ as recorded in the three Gospels already written, and as freely invented others. All the events, all the words, of the Gospel thus composed, are subordinate to the main design, which was worked out by the author with an artistic completeness most ingeniously traced by his German interpreters. Each miracle symbolizes some important dogma, and its narration must be understood to mean that it embodies some deep spiritual truth, not, necessarily, that it ever actually took place. The author manifests, throughout, his ignorance of Jewish customs, and his antagonism to Jewish sentiments.”
“The general purport of the poem can scarcely be doubted, as we look back upon it as a whole and consider its main conclusions. The tendency of the argument is to diminish the importance of the original events—historical or traditional—on which the Christian religion is based. ‘It is not worth while,’ the writer seems to say to Strauss and his followers, ‘to occupy ourselves with discussions about miracles and events which are said to have taken place a long time ago, and can now neither be denied or proved. What we are concerned with, is, Christianity as it is now: as a religion which the human mind has through many generations developed, purified, spiritualized; and which has reacted upon human nature and made it wiser and nobler. Shall we give up this faith which has been so great a power for good in the world, and which, its whole past history justifies us in concluding, will continue its work of improvement, because our belief in certain events is shaken or destroyed? It would be vain, indeed, thus to build our religion on a foundation so unstable as material evidence. For human sensations are not infallible; they very often deceive us; we think we see objects, which are really the illusions of our own brain; others we see in part only, or distorted; others we fail to perceive at all. Our faith, essential as it is to the well-being of the deepest parts of our nature, must not be dependent on such controlling powers as these.’”
“He {Browning} was, we may suppose, offended by Strauss’s ruthless attack on much that mankind has held sacred for ages. His religious sense was revolted by the assumption that there was nothing in Christianity which could survive the destruction of the miraculous and supernatural elements in its history. He desired to represent Christianity as an entirely spiritual religion, independent of external, material agencies. In order to make his argument as powerful as possible, he chose for his mouth-piece one of the personal followers of Christ, on whom, it might be supposed, the actual human life of his master had made a permanent and lively impression. With the details of Biblical criticism he had nothing to do; his principles were unaffected by discussions about the authenticity of the various parts of Gospels; so, in defiance of Strauss, the disciple he chose was that very John, whose personality, as recognized by long tradition, had been so much discredited. He showed how even in one of the disciples the recollection of wonders and signs could be transcended, and at last obliterated, by a spiritual faith which was sustained by the needs and faculties of the soul. The poem is, in effect, an eloquent protest in defence of ‘the breath and finer spirit of all knowledge’.”
From Mrs. M. G. Glazebrook’s paper on ‘A Death in the Desert’, read before the London Browning Society.
A List of Criticisms of Browning’s Works
(Selected from Dr. Frederick J. Furnivall’s ‘Bibliography of Robert Browning’, contained in ‘The Browning Society’s Papers’, Part I., with additions in Part II.)
1833. The Monthly Mag., N. S., V. 7, pp. 254–262: Review of ‘Pauline’, by W. J. Fox.
1835. The Examiner, Sept. 6, pp. 563–565: on ‘Paracelsus’, by John Forster.
1835. Monthly Repository, Nov., pp. 716–727: Review of ‘Paracelsus’, by W. J. Fox.
1837. Edinburgh Rev., July, Vol. 66, pp. 132–151: ‘Strafford’.
1848. N. A. Rev., April, Vol. 66, pp. 357–400: B.’s ‘Plays and Poems’, by James Russell Lowell.
1849. Eclectic Rev., London, 4th S. V. 26, pp. 203–214: on 1. the ‘Poems’, 2 vols. 1849, and 2. ‘Sordello’, 1840. A sympathetic and excellent review.
1850. Massachusetts Quarterly Rev., No. XI. June, Art. IV. ‘Browning’s Poems’. 1. ‘Poems’, 2 vols., Boston, 1850. 2. ‘Christmas Eve’ and ‘Easter Day’, London, 1850.
1850. Littell’s Living Age, Vol. 25, pp. 403–409: on ‘Christmas Eve’ and ‘Easter Day’.
1857. The Christian Remembrancer, N. S., Vol. 39, pp. 361–390.
1861. North British Rev., May, pp. 350–374: on ‘The Poems and Plays of R. B.’, by F. H. Evans.
1863. Fraser’s Mag., Feb., pp. 240–256.
1863. The Eclectic Rev., No. 23, N. S., May, pp. 436–454.
1863. National Rev., Oct., Vol. 47, pp. 417–446. Poetical Works of R. B., 3 vols., 3d ed., by R. H. Hutton; republ. in Hutton’s ‘Literary Essays, 1871’.
1864. The Eclectic and Congregational Rev., July, pp. 61–72: on ‘Dramatis Personae’, by E. Paxton Hood.
1864. Edinburgh Rev., Oct., pp. 537–565: on ‘Poems’, 1863, and ‘Dramatis Personae’, 1864.
1864. National Rev., N. S., Nov., 1864; Wordsworth, Tennyson, and Browning; or Pure, Ornate, and Grotesque Art in English Poetry; republ. in ‘Literary Studies’, by Walter Bagshot.
1865. Quarterly Rev., July, Vol. 118, pp. 77–105: on ‘Dramatis Personae’, 1864, and ‘Poems’, 3 vols., 1863.
1867. Contemporary Rev., Jan. and Feb., 1867, Vol. 4, pp. 1–15, 133–148. Thoughtful and able articles.
1867. Fraser’s Mag., Oct., pp. 518–530: ‘Sordello’, by Edward Dowden.
1868. Athenaeum, Dec. 26, pp. 875, 876: ‘The Ring and the Book’, Vol. 1. by Robert Buchanan; revised and publ. in his ‘Master Spirits’, 1873.
1868. Eclectic and Congregational Rev., Dec., Art. II. ‘Poetical Works’, 6 vols., 1868, by E. Paxton Hood. See under 1864.
1868. Essays on B.’s poetry, by J. T. Nettleship.
1869. Athenaeum, March 20, pp. 399, 400: on ‘The Ring and the Book’, Vols. 2, 3, and 4.
1869. Fortnightly Rev., March, Vol. 5, N. S., pp. 331–343: on ‘The Ring and the Book’, by John Morley. An able and generous article.
1869. Quarterly Rev., April, pp. 328–359: on Mod. Eng. Poets; a few pages are on B.’s poems and ‘The Ring and the Book’.
1869. Edinburgh Rev., July, Vol. 130, pp. 164–186: on ‘The Ring and the Book’.
1869. London Quarterly Rev., July, on B.’s Poetry— all then published.
1869. N. Brit. Rev., Oct., pp. 97–128: B.’s Latest Poetry (‘The Ring and the Book’).
1871. Saint Paul’s Mag., Dec., 1870, and Jan., 1871, Vol. 7, pp. 257–276, 377–397: ‘Poems’ and ‘The Ring and the Book’, by E. J. Hasell.
1871. Athenaeum, Aug. 12, pp. 199, 200: on ‘Balaustion’s Adventure’.
1871. Contemporary Rev., Sept., pp. 284–296, on ‘Balaustion’s Adventure’, by Matthew Browne (pseudonym).
1871. The Times, Oct. 6: a long review of ‘Balaustion’s Adventure’.
1871. ‘Our Living Poets: an Essay in Criticism’. By H. Buxton Forman. 4th chap. on B., pp. 103–152.
1871. Fortnightly Rev., Oct., Vol. 10, N. S., pp. 478–490: on ‘Balaustion’s Adventure’, by Sidney Colvin.
1871. The Dark Blue Mag., Oct. and Nov., Vol. 2, pp. 171–184, 305–319: ‘Browning as a Preacher’, by Miss E. Dickinson West. An admirable essay.
1872. Edinburgh Rev., Jan., Vol. 135, pp. 221–249: on ‘Balaustion’s Adventure’.
1872. Academy, Jan. 15: on ‘Hohenstiel-Schwangau’.
1872. Academy, July 1: on ‘Fifine at the Fair’, by F. Wedmore.
1873. Athenaeum, May 10: on ‘Red Cotton Night-Cap Country’.
1873. Academy, June 2: on ‘Red Cotton Night-Cap Country’, by G. A. Simcox.
1873. ‘Master Spirits’, by Robert Buchanan; contains, pp. 89–109, a revised reprint of the Athenaeum reviews of ‘The Ring and the Book’, Dec., 1869, and March, 1870.
1875. Academy, April 17: on ‘Aristophanes’ Apology’, by J. A. Symonds.
1875. Athenaeum, April 17, pp. 513, 514: on ‘Aristophanes’ Apology’.
1875. Athenaeum, Nov. 27, pp. 701, 702: on ‘The Inn Album’.
1876. Academy, July 29: on ‘Pacchiarotto’, by Edward Dowden.
1876. Macmillan’s Mag., Feb., Vol. 33, pp. 347–354: on ‘Inn Album’, by A. C. Bradley.
1876. ‘Victorian Poets. By Edmund Clarence Stedman’. Boston: 1876. Chap. IX., pp. 292–341, devoted to Browning.
1877. Academy, Nov. 3: on ‘The Agamemnon of Aeschylus’, by J. A. Symonds.
1878. Church Quarterly Rev., Oct., pp. 65–92: on B.’s Poems, by the Hon. and Rev. Arthur Lyttleton. An article to be read by all students of Browning.
1878. Academy, June 1: on ‘La Saisiaz’, and ‘The Two Poets of Croisic’, by G. A. Simcox.
1878. Athenaeum, May 25, pp. 661–664: on ‘La Saisiaz’, by W. Theodore Watts.
1879. ‘Studies in Literature, 1789–1877. By Edward Dowden, LL.D.’ London: C. Kegan Paul & Co., pp. 191–239: ‘Mr. Tennyson and Mr. Browning. A comparative study’. Ranks with the very best of Browning criticisms.
1879. Athenaeum, May 10: on ‘Dramatic Idyls’, I., by Walter Theodore Watts.
1879. Academy, May 10: on ‘Dramatic Idyls’, I., by F. Wedmore.
1880. Athenaeum, July 10, pp. 39–41: on ‘Dramatic Idyls’, 2d S., by W. Th. Watts.
1881. Gentleman’s Mag., Dec., pp. 682–695: on ‘The Ring and the Book’, by James Thomson.
1881. Scribner’s Century Mag., Dec. 1, pp. 189–200: on ‘The Early Writings of R. B.’, by E. W. Gosse.
1881. The Cambridge Review, Dec. 7, Vol. 3, pp. 146, 147: a review of ‘Rabbi ben Ezra’ and ‘Abt Vogler’, by A. W.
Some of the most valuable criticism of Browning’s Poetry has been produced and published by The Browning Society of London, founded in 1881 by Dr. F. J. Furnivall, and still in active operation. Dr. Furnivall’s ‘Bibliography of Robert Browning’, occupying Part I. of ‘The Browning Society’s Papers’, and continued in Part II., is a storehouse of valuable information, of all kinds, pertaining to Browning’s Poetry, and to Browning the man. Every Browning student should possess a copy of it. The following papers, among others, have been published by the Society:—
Introductory Address to the Browning Society. By the Rev. J. Kirkman, M.A., Queen’s Coll., Cambridge, Oct. 28, 1881.
On ‘Pietro of Abano’ and the leading ideas of ‘Dramatic Idyls’, second series, 1880. By the Rev. J. Sharpe, M.A. Read Nov. 25, 1881.
On Browning’s ‘Fifine at the Fair’. By J. T. Nettleship, Esq. Read Feb. 24, 1882.
Notes on the Genius of Robert Browning. By James Thomson. Read Jan. 27, 1882.
Browning’s Philosophy. By John Bury, Trin. Coll., Dublin. Read April 28, 1882.
On ‘Bishop Blougram’s Apology’. By the Rev. Prof. E. Johnson, M.A. Read May 26, 1882.
The Idea of Personality, as embodied in Robert Browning’s Poetry. By Prof. Hiram Corson, LL.D., Cornell University. Read June 23, 1882. (Contained in this volume.)
The Religious Teaching of Browning. By Dorothea Beale. Read Oct. 27, 1882.
An Account of Abbe Vogler. (From Fetis & Nisard.) By Miss Eleanor Marx.
Conscience and Art in Browning. By the Rev. Prof. E. Johnson, M.A.
Browning’s Intuition, specially in regard of Music and the Plastic Arts. By J. T. Nettleship. Read Feb. 23, 1883.
One aspect of Browning’s Villains. By Miss E. D. West. Read April 27, 1883.
Browning’s Poems on God and Immortality as bearing on life here. By William F. Revell. Read March 30, 1883.
James Lee’s Wife. By Rev. J. H. Bulkeley. Read May 25, 1883.
Abt Vogler. By Mrs. Turnbull. Read June 22, 1883.
On some prominent points of Browning’s teaching. By W. A. Raleigh, Esq., of King’s College, Cambridge. Read Feb. 22, 1884.
‘Caliban upon Setebos’, with some notes on Browning’s subtlety and humor. By J. Cotter Morison, Esq. Read April 25, 1884.
In a Balcony. By Mrs. Turnbull. Read July 4, 1884.
On ‘Mr. Sludge the Medium’. By Edwin Johnson, M.A. Read March 27, 1885.
Browning as a Scientific Poet. By Edward Berdoe, M.R.C.S. (Eng.), L.R.C.P. (Ed.). Read April 24, 1885.
On the development of Browning’s genius in his capacity as Poet or Maker. By J. T. Nettleship, Esq. Read Oct. 30, 1885.
On ‘Aristophanes’ Apology’. By John B. Bury, B.A., Trin. Coll., Dublin. Read Jan. 29, 1886.
Andrea Del Sarto. By Albert Fleming. Read Feb. 26, 1886.
The reasonable rhythm of some of Browning’s Poems. By the Rev. H. J. Bulkeley, M.A. Read May 28, 1886.
The following works should be mentioned:—
Stories from Robert Browning. By Frederic May Holland. With an Introduction by Mrs. Sutherland Orr. London: 1882.
Strafford: a Tragedy. By Robert Browning. With notes and preface by Emily H. Hickey {First Hon. Sec. of the Browning Society}. And an Introduction by Samuel R. Gardiner, LL.D., Professor of Modern History, King’s College, London. London: 1884.
A Handbook to the works of Robert Browning. By Mrs. Sutherland Orr. London: 1885. A good reference book.
Poets and Problems. By George Willis Cooke. Boston: 1886. pp. 269–388 devoted to Browning.
Essays on Poetry and Poets. By the Hon. Roden Noel. London: 1886. pp. 256–282 devoted to Browning.
Select Poems of Robert Browning. By W. J. Rolfe. Boston.
Important works published since the first edition of this book:—
Sordello’s Story retold in prose. By Annie Wall. Boston and New York: 1886.
Browning’s Women. By Mary E. Burt. With an introduction by Rev. Edward Everett Hale, D.D., LL.D. Chicago: 1887.
Studies in the Poetry of Robert Browning. By James Fotheringham. London: 1887.
An Introduction to the Poetry of Robert Browning. By William John Alexander, Ph.D. Boston: 1889.
Sordello: an outline analysis of Mr. Browning’s poem. By Jeanie Morison. Edinburgh and London: 1889.
Robert Browning Personalia. By Edmund Gosse. Boston and New York: 1890.
Robert Browning: Essays and Thoughts. By John T. Nettleship. New York: 1890.
Browning’s Message to his Time: his Religion, Philosophy, and Science. By Edward Berdoe. London: 1890.
A Guide-Book to the poetic and dramatic works of Robert Browning. By George Willis Cooke. Boston: 1891.
Life and Letters of Robert Browning. By Mrs. Sutherland Orr. Boston: 1891.
Browning as a philosophical and religious teacher. By Henry Jones, M.A. New York: 1891.
Some additional papers of the Browning Society, published since the first edition of this book:—
“A Death in the Desert”. By Mrs. M. G. Glazebrook. Read February 25, 1887.
Some Notes on Browning’s poems referring to music. By Helen J. Ormerod. Read May 27, 1887.
“Saul”. By Anna M. Stoddart. Read May 25, 1888.
Andrea del Sarto and Abt Vogler. By Helen J. Ormerod. Read November 30, 1888.
La Saisiaz. By Rev. W. Robertson. Read January 25, 1889.
Taurello Salinguerra: historical details illustrative of Browning’s Sordello. Muratori and Browning compared. By W. M. Rossetti. Read November 29, 1889.
The value of Browning’s work. By William F. Revell. Read May 30, 1890.
The student will find much other valuable material in the Browning Society papers.
For Articles in Periodical Literature, the student should consult Poole’s Indexes.